The exact equipment behind the work. Built over four years and international shoots, tested on real productions, not a wishlist.
Most creative hires mean a second invoice: cameras, lenses, audio, lighting, rigging, storage. Mine is already bought, already paid for, and already on real productions. You skip the spend and the years of trial and error working out what's actually worth owning, and you start looking premium from day one.
My main body. Cinema Line Super-35, S-Log3, 4K 10-bit. Three years of international work shot on this camera.
OwnedAuthentic vintage camcorder for retro, nostalgic texture you can't fake in post — a distinct creative look when a shoot calls for it.
OwnedWireless system with three transmitters. Mic up a full room or a moving subject with zero cables.
OwnedHot-shoe shotgun. Battery-free, plugs straight into the FX30. Clean audio for desk and interview setups.
OwnedMy workhorse zoom. f/2.8 throughout — talking head, interviews and B-roll on one lens.
OwnedUltra-wide prime for vlogs, POV and making a location feel bigger.
OwnedMy primary key. 130W bi-colour COB, adjustable temperature, clean diffused output.
OwnedWraps the key light for soft, flattering skin tones and no hard shadows.
OwnedCompact on-camera fill and product light. Hot shoe or off-camera.
OwnedBackground colour and depth — the premium accent look in frame.
OwnedMagnetic practical for warmth and ambience behind the subject.
OwnedSturdy stands for key, softbox and RGB tubes.
OwnedOverhead boom arm with counterweight — top light, hair light and angles a straight stand can't reach.
OwnedThree-axis stabiliser for smooth cinematic movement — the difference between handheld and film-grade motion.
OwnedFast tabletop setup for desk-based content. Mount and remove in seconds.
OwnedFull-height travel tripod for standing and outdoor shots. Packs anywhere.
OwnedAdjustable arm for monitors, lights and accessories at any angle.
OwnedMy pick for scripted talking-head — read straight down the lens.
Owned2× 256GB + 4× 128GB. Fast, reliable capture for full shoot days.
Owned2× cards, up to 800MB/s. High-bitrate 4K and slow-mo with no dropped frames.
OwnedMains power for long desk sessions — never dies mid-record.
OwnedHigh-capacity power for lights and camera on long shoots and location days.
Owned
